Anurag Kashyap described the two-part gritty gangster flick as his most commercial film till date.
Highlights
- Anurag Kashyap may have been branded a torch-bearer of new-age Indian cinema but the filmmaker says he hates carrying any such burden.
- "I hate being a poster boy, because a he eventually becomes a dart board. I never consciously carried any kind of burden of new-wave Indian cinema but people have a tendency to label you. All I felt was that if there were more filmmakers who made cinema I relate to, then I could also co-exist. It would increase my chances of survival," Kashyap told PTI.
- In London to promote Gangs of Wasseypur, which releases across Britain on February 23, Kashyap described the two-part gritty gangster flick as his most commercial film till date.
- "I am very keen to see how it does in the UK. I know a lot of audiences here who have been waiting to watch it on the big screen. I hope it will benefit from all the word of mouth. The audience around the world have just enjoyed it. There has been a lot of analysis in India, but we tend to do that in India."
- The film, which premiered at the Cannes Film Festival last year and proved a box-office hit in India, is set in the mine fields of Wasseypur in Jharkhand and was shot almost entirely in Kashyap's own hometown of Obra in Bihar.
- "The only reason I was able to do everything was because I shot it in the town where me and my brother (fellow filmmaker Abhinav Kashyap) grew up. I used all my father's contacts, who was a senior engineer based there. People opened up their homes to me and were so excited about the film being shot there.
- "Major on-screen blast sequences would have cost crores but I got them for free as I was told to just land up with my camera when a mine blast was happening," said Kashyap.
- Kashyap has often been compared to Hollywood director Quentin Tarantino as a result of a similar streak of brazen gun fights in Gangs of Wasseypur and second part, which opens in the UK on March 2.
- "I have stopped reacting to such comparisons. The only thing that has changed for me is that I now get paid for the movies I make; and that has taken 12 years. I have now consciously tried to extract myself from any labels. I don't want my name to figure anywhere and have even renamed my company Sikhya. Expectations are a killer.
- "I wish I could be a new filmmaker with a new name with every film. I just want the freedom to make my films," said the 40-year-old artiste, who is also known for his on-screen performances in films like I Am and Trishna.
- The writer-director behind award-winning films such as 'Black Friday' and 'Gulal' now wants to only focus on direction and is also keen on exploiting the television medium with Western-style season-based dramas that are rooted in Indian sensibilities.
- "The biggest problem has been the first-generation Indian Diaspora's control over film and TV content. They left India physically but not emotionally and were forcing the same stories down the second generation. And because the money was coming in dollars and pounds, that was the audience being catered to. But the next generation is now coming into its own and liberating itself. The mainstream itself is getting more rooted and when the mainstream gets rooted, everything else changes. The world has realised our cinema is changing and once the authorities in charge realise that too, it will reflect in the international awards scene as well," he said.
Anurag Kashyap may have been brandeda torch-bearer of new-age Indian cinema but the filmmaker sayshe hates carrying any such burden.
"I hate being a poster boy, because a he eventuallybecomes a dart board. I never consciously carried any kind ofburden of new-wave Indian cinema but people have a tendency tolabel you. All I felt was that if there were more filmmakerswho made cinema I relate to, then I could also co-exist. Itwould increase my chances of survival," Kashyap told PTI.
In London to promote
Gangs of Wasseypur, which releasesacross Britain on February 23, Kashyap described the two-partgritty gangster flick as his most commercial film till date.
"I am very keen to see how it does in the UK. I know alot of audiences here who have been waiting to watch it on thebig screen. I hope it will benefit from all the word of mouth.The audience around the world have just enjoyed it. There hasbeen a lot of analysis in India, but we tend to do that inIndia."
The film, which premiered at the Cannes Film Festivallast year and proved a box-office hit in India, is set in themine fields of Wasseypur in Jharkhand and was shot almostentirely in Kashyap's own hometown of Obra in Bihar.
"The only reason I was able to do everything was becauseI shot it in the town where me and my brother (fellowfilmmaker Abhinav Kashyap) grew up. I used all my father'scontacts, who was a senior engineer based there. People openedup their homes to me and were so excited about the film beingshot there.
"Major on-screen blast sequences would have cost croresbut I got them for free as I was told to just land up with mycamera when a mine blast was happening," said Kashyap.
Kashyap has often been compared to Hollywood directorQuentin Tarantino as a result of a similar streak of brazengun fights in
Gangs of Wasseypur and second part, whichopens in the UK on March 2.
"I have stopped reacting to such comparisons. The onlything that has changed for me is that I now get paid for themovies I make; and that has taken 12 years. I have nowconsciously tried to extract myself from any labels. I don'twant my name to figure anywhere and have even renamed mycompany Sikhya. Expectations are a killer.
"I wish I could be a new filmmaker with a new name withevery film. I just want the freedom to make my films," saidthe 40-year-old artiste, who is also known for his on-screenperformances in films like
I Am and
Trishna.
The writer-director behind award-winning films such as'Black Friday' and 'Gulal' now wants to only focus ondirection and is also keen on exploiting the television mediumwith Western-style season-based dramas that are rooted inIndian sensibilities.
"The biggest problem has been the first-generationIndian Diaspora's control over film and TV content. They leftIndia physically but not emotionally and were forcing the samestories down the second generation. And because the money wascoming in dollars and pounds, that was the audience beingcatered to. But the next generation is now coming into itsown and liberating itself. The mainstream itself is gettingmore rooted and when the mainstream gets rooted, everythingelse changes. The world has realised our cinema is changingand once the authorities in charge realise that too, it willreflect in the international awards scene as well," he said.